![]() ![]() Shots that were just slightly soft underwent a pretty dramatic transformation, and shots with poor focusing had variable outcomes – often with obviously processed edge detail and ‘filling in’ of the sort you see with over-processed phone images. I found that shots on the wrong side of its ‘fixability’ threshold were made worse – including any kind of double-image blur from camera shake. ![]() The Sharpen process can be spectacular or bad, depending on the image. I wouldn’t put this in the same league as DxO’s DeepPRIME XD processing. I found myself pushing the Detail slider up to maximum and the Strength slider down to zero to get results that looked smooth and crisp. The noise removal is very effective but quite aggressive by default. ![]() The results vary, depending on the quality of the image you’re starting from and its particular issues. The recovered detail in the rocks and the leaves, top right, is pretty remarkable. Use a black brush of 20-30% opacity and gradually mask those parts.This is the most spectacular outcome, though the Autopilot didn't think this needed sharpening it all, so it was done manually. You'll find areas with artifacts, fringes, strange colors, and over-sharpening. After applying Photo AI's noise reduction and sharpening globally, you should zoom in to 100% and examine the complete image. The same scrutiny is required when you work on landscape photos. I haven't noticed this myself, but it doesn't hurt to double-check. It is subtle but will become visible when contrast is applied to the photo. One viewer of my YouTube videos pointed out that he gets an ugly checker pattern for every upscaling he does to his raw photos. It will point out flaws in the upscaling. If you use the upscaling feature of the software, it might also be a good idea to take the scaled version into Camera Raw and temporarily apply Dehaze. If you own Photoshop or other software that allows you to work with masks and layers, load both the original photo and the AI-adjusted version into separate layers and use manual masking to remove the effect where Photo AI went too far. I show my way of dealing with that in the feature video. There's still some randomness to how it applies sharpness and introduces details during upscaling. It is important to note that the results from Photo AI are not perfect. Within Lightroom, you can even apply adjustments to the raw data, giving you great flexibility. You can use Topaz Photo AI as a stand-alone application, as a Lightroom plugin, or within Photoshop. Many photos, like the one of an eagle below, I took more to document my travels and less for my portfolio because I knew the quality would not be sufficient. While exploring Borneo, a 400mm or 500mm lens would have given me much more possibilities to capture the elusive wildlife. When I was in Malaysia, I longed for a proper telephoto lens. WildlifeĪ great use case for Photo AI is wildlife photos. ![]() And the quality I could breathe into some of my more difficult captures positively surprised me. Now, a few months later, as I'm going through the photos of those travels, I decided to try Topaz Photo AI. Sometimes, my Canon 70-200mm f/4 lens wasn't long enough, and other times, I had to bump the ISO past what I felt comfortable with. During those travels, I took many photos, of which some lacked image quality. When they announced it last year, I was still traveling through Asia and didn't have much time to try it out for my photo editing. Photo AI is the recent addition to the growing selection of AI tools Topaz offers. ![]()
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